One Flew Over The Cuckoo's Nest

One Flew Over The Cuckoo's Nest (37:20)

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Randle Patrick McMurphy (Jack Nicholson), a recidivist criminal serving a short prison term on a work farm for statutory rape, is transferred to a mental institution due to his apparently deranged behavior. This is possibly a deliberate gambit by McMurphy in the belief that he'll now be able to serve out the rest of his sentence in relative comfort and ease.

His ward in the mental institution is run by a calm but unyielding tyrant, Nurse Ratched (Louise Fletcher), who has cowed the patients — most of whom are there by choice, categorized as "voluntary" patients — into dejected submission. While he initially has little respect for his fellow patients, McMurphy's antiauthoritarian nature is aroused. His needling of Nurse Ratched is initially just for kicks, but his sense of injustice at their treatment leads him into a battle for the hearts and minds of the patients. What he finds out only later is that Ratched has the power to keep him there indefinitely. Rather than simply bide her time with McMurphy and have him transferred, Ratched sees his behavior as a personal affront and challenge to her authority and becomes obsessed with winning this contest.

McMurphy gradually forms deep friendships in the ward with a group of men which includes Billy Bibbit (Brad Dourif), a suicidal, stuttering and helpless young man whom Ratched has humiliated and dominated, and "Chief" Bromden (Will Sampson), a 6’ 5” (1.96 m) muscular Native American. Believed by the patients to be deaf and unable to speak, Chief is mostly ignored but also respected for his enormous size. In Billy, McMurphy sees a younger brother figure whom he wants to teach to have fun, while the Chief ultimately becomes his only real confidant, as they both see their struggles against authority in similar terms.

McMurphy initially insults Chief when he enters the ward, but attempts to use his size as an advantage (for example, in playing basketball). Later, they and patient Charlie Cheswick (Sydney Lassick) are detained for being involved in a fight with the ward attendants. Cheswick undergoes electroshock therapy, while McMurphy and Chief wait their turn on a bench. While they wait, McMurphy offers Chief a piece of Juicy Fruit gum, and Bromden verbally thanks him. A surprised McMurphy discovers that Chief actually hates the hospital establishment just as he does but handles it in a different way (by remaining mute instead of using Randle's strategy of open defiance). McMurphy hatches a plan that will allow himself and Bromden to escape. Following his "therapy," McMurphy jokingly feigns catatonia before assuring his cohorts and Nurse Ratched that the attempt to subdue him didn't work.

On the night of December 10, 1963, McMurphy sneaks into the nurse's station and calls his girlfriend, Candy, and tells her to bring booze. Another woman tags along and both enter the ward after McMurphy bribes the night watchman, Mr. Turkle (Scatman Crothers). The patients drink while Billy flirts with McMurphy's girlfriend. McMurphy sees that Billy likes Candy and tells her to sleep with Bibbit. While Billy and McMurphy's girlfriend are in a separate room, the rest of the patients, including McMurphy and the Chief who had been planning to escape, pass out from drinking, probably because of the extant neuroleptic drugs (Thorazine, etc.) in their systems.

When Nurse Ratched arrives the next morning she commands the attendants to clean up the patients and conduct a head count. Billy is found in a room sleeping with Candy. When he announces that he is not ashamed with what he has done, Nurse Ratched then threatens that she will tell his mother about it. Billy breaks down, and after being carried into the doctor's office, kills himself by slitting his throat. McMurphy, furious at what Nurse Ratched did to Billy, tries to strangle her. McMurphy is subdued and taken away again.

A few days later, the patients are seen playing cards as usual. Nurse Ratched, her vocal cords damaged by McMurphy's previous attack, is forced to speak through a microphone for the patients to hear her, and finds that she is now no longer able to intimidate them. Later that night, Chief Bromden sees McMurphy being returned to his bed. When the Chief approaches him, he finds to his horror that he has been given a lobotomy. Unwilling to leave McMurphy behind, the Chief suffocates his neurologically disabled friend with a pillow. He follows Randle's plan for escape by heroically hoisting a very heavy hydrotherapy control panel (which McMurphy had tried to lift earlier) and hurling it through a barred window. He is last seen fleeing the institution.

[edit] Casting

Kirk Douglas originated the role of McMurphy in a stage production, and then bought the film rights, hoping to play McMurphy on the screen. He passed the production rights to his son, Michael Douglas, who decided his father was too old for the role. Kirk was reportedly angry at his son for a time afterwards because of this. Actor James Caan was originally offered the McMurphy role, and Marlon Brando and Gene Hackman were considered as well. According to the director on the latest Special Edition DVD, he wanted Burt Reynolds to play the lead.

The role of domineering Nurse Ratched was turned down by six actresses, Anne Bancroft, Colleen Dewhurst, Geraldine Page, Ellen Burstyn, Jane Fonda, and Angela Lansbury, until Louise Fletcher accepted casting only a week before filming began.
Actor Role
Jack Nicholson Randle Patrick McMurphy
Louise Fletcher Nurse Mildred "Big Nurse" Ratched
William Redfield Dale Harding
Dean R. Brooks Dr. John Spivey
Scatman Crothers Orderly Turkle
Danny DeVito Martini
William Duell Jim Sefelt
Brad Dourif Billy Bibbit
Christopher Lloyd Jim Taber
Will Sampson Chief Bromden
Vincent Schiavelli Frederickson
Nathan George Attendant Washington
Sydney Lassick Charlie Cheswick
Louisa Moritz Rose

The film marked the film debuts of Sampson, Dourif and Lloyd. It was one of the first films for DeVito. DeVito and Lloyd co-starred several years later on the television series Taxi.

[edit] Title interpretation

The title is derived from an American children's folk rhyme. [1]

Wire, briar, limber-lock
Three geese in a flock
One flew east, one flew west
And one flew over the cuckoo's nest.

It loses a bit of the significance it has in the novel, where it is part of a rhyme Chief Bromden remembers from his childhood. This detail was not included in the film, but the line retains its relevance since the story ends with two patients dead from different causes and one who escapes from the hospital.

Reception

The film received generally positive reviews from critics. Roger Ebert (who won a Pulitzer Prize later that year) claimed that "Milos Forman's 'One Flew Over the Cuckoo's Nest' is a film so good in so many of its parts that there's a temptation to forgive it when it goes wrong. But it does go wrong, insisting on making larger points than its story really should carry, so that at the end, the human qualities of the characters get lost in the significance of it all. And yet there are those moments of brilliance." [2]. Ebert would later put the film on his "Great Movies" list.[3] A.D. Murphy of "Variety" wrote a mixed review as well.[4] The film went on to win a total of five Academy Awards, including Best Actor for Jack Nicholson (who played McMurphy), Best Actress for Louise Fletcher (who played Nurse Ratched), Best Direction for Miloš Forman, Best Picture, and Best Adapted Screenplay for Laurence Hauben and Bo Goldman.

Today, the film is considered to be one of the greatest American films. Kesey himself claimed to have disliked the movie, a fact revealed by Fight Club author Chuck Palahniuk in the foreword of the 2007 edition, "The first time I heard this story, it was through the movie starring Jack Nicholson. A movie that Kesey once told me he disliked".[5]

In 1993, this film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry.

The film was shown in Swedish cinemas between 1975 and 1987 — twelve years, which is still a record. When Milos Forman learned that, he said, "I'm absolutely thrilled by that... It's wonderful."



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  • Near Dark pt3

    Near Dark pt3 (40:41)

    Caleb Colton is a young man in a small Oklahoma town who talks one night with Mae, an attractive young drifter. Shortly before sunrise, while kissing, she bites him on the neck, then runs off. Caleb discovers that the rising sun causes his flesh to burn. As he suffers in the sunlight, Mae and her 'family' of itinerant vampires pick up Caleb and sweep him away from his family's home. Severen and Diamondback are inclined to kill him then and there, but Mae, who has developed a romantic interest in Caleb, points out that she has 'turned him' — made him a vampire. Reluctantly, Jesse Hooker, the leader of the gang, declares that Caleb will remain with them for a week, to see if he can learn to hunt efficiently and be trusted as one of the group. Caleb quickly learns that the vampires are doubly bloodthirsty: not only do they feed on humans, but they hide the evidence of their nature by acts of wanton destruction, particularly arson, lest the mortal population seek them out and destroy them. In a famous setpiece of the film, Caleb accompanies the gang as they feed on several denizens of a roadhouse, kill most of the others, and burn the roadhouse to the ground.

    Caleb is of two minds about how to proceed. On one hand, he is infatuated with Mae, and relishes the idea of spending eternity with her, free of responsibilities other than simple survival. On the other hand, Caleb is appalled at the brutal reality of a vampire's existence: the constant need to kill innocent people for food, and the gang's evident lack of remorse for this state of affairs. He cannot bring himself to kill, even at the cost of his own survival, which alienates him from the gang of vampires. Unwilling to permit Caleb to be killed by her companions, Mae repeatedly kills for him, and allows him to drink from her wrist. Jesse and the gang are only temporarily mollified when Caleb puts himself at great risk to rescue them from a police raid during daylight hours.

    Meanwhile, Caleb's father, a veterinarian and apparently a widower, searches for his son, who appears in his eyes to have been kidnapped by a simple group of drifters. Caleb's father, who early in the film seems distant and dismissive of Caleb, reveals anguish at the disappearance of his son; with Caleb's little sister Sarah in tow, he canvasses the surrounding towns for news of his son while the police conduct their own investigation. When Sarah stumbles upon the gang at a roadside motel, a standoff develops: the adolescent vampire Homer wishes to transform the girl into a companion for himself, but Caleb demands that she be released. While the gang argues over what to do, Caleb's father arrives, demanding at gunpoint that Sarah be released. Jesse challenges him, and when Caleb's father fires the gun, Jesse responds by regurgitating the bullet and wrenching the gun from the doctor's hand. In the confusion of the moment, Sarah flees out the door, forcing the vampires to hide from the sunlight streaming into the motel room. Caleb chooses to return to his family, and jumps into his father's truck, his skin burning and smoking in the light, begging for help.

    At home, Caleb's father transfuses his blood into Caleb's veins, weeping in fear that his son is lost. The transfusion proves to undo the vampiric transformation, and the next day, Caleb is again human. His father resumes his customary gruff manner, although it is now tempered by evident relief at Caleb's return. That night, however, Mae and the rest of the vampires come looking for Caleb to kill him, since he might now identify the drifters and inform the human population of the threat the vampires represent. Additionally, Homer remains fixed on the idea of turning Sarah into his mate; while Mae distracts Caleb with conversation outside the house, the others slip inside and kidnap Sarah. When Mae ascertains that Caleb cannot be convinced to return to her, she runs away, leaving Caleb to discover the kidnapping.

    Knowing what it means that Sarah is gone, Caleb goes after her. The gang has taken the precaution of slashing the tires, so Caleb must ride one of the family's horses into town. On the town's main street, Caleb encounters Severen, who attacks him while decrying his lack of loyalty. When a tractor-trailer approaches, Caleb commandeers the truck to run down Severen. Severen, however, is only injured, not killed, and as he climbs up the cab toward the driver's seat, Caleb forces the truck to jackknife before jumping clear, killing Severen in the ensuing explosion. Jesse and Diamondback are now intent on torturing and killing Caleb; Homer remains less interested in Caleb than in Sarah. They begin to chase Caleb, but as dawn breaks, they turn the car around to flee toward the receding dark. Mae, however, is not only reluctant to see Caleb hurt, but concludes that she cannot permit Sarah to become another child-like monster; while the vampires drive away from Caleb in the first light of dawn, Mae escapes out the back of their station wagon, pulling Sarah out with her. Mae is badly burned by the sun as she runs with Sarah into Caleb's arms, and Caleb covers her smoldering body with his coat. Homer, desperate to keep Sarah for himself, leaps out of the car to follow her, and is destroyed in a fiery explosion as he runs after her. With no shelter from the sun nearby, and with the motive of revenge for Homer's death, Jesse and Diamondback turn the car around and attempt to kill Caleb, Sarah and Mae in a suicide attack, but the car runs off the road and explodes when the two vampires are completely engulfed in flames from the sun.

    In the final scene, Caleb wakes Mae in the Colton family's barn, where she lies hooked up to transfusion equipment as Caleb had been earlier and her burns are fully healed. As the doors open sunlight floods the barn and Mae's initial reaction is fear, but she herself is human again, and is therefore unharmed by the sunlight as Caleb comforts her with the knowledge that she no longer needs to be afraid of the sun.

    Production

    Kathryn Bigelow wanted to film a Western movie that departed from cinematic convention, which at the time was strongly identified with the films of John Wayne and John Ford. When she and co-writer Eric Red found financial backing for a Western difficult to obtain, it was suggested to them that they try mixing a Western with another, more popular genre. Her interest in revisionist interpretation of cinematic tradition led her and Red to the idea of combining two genres that they regarded as ripe for reinterpretation: the Western movie, and the vampire movie, whose conventions largely derived from Bela Lugosi's performance in Dracula. The film was scored by the German electronic music group Tangerine Dream, who also penned the soundtracks for Risky Business and Legend.

    Cast
    Actor Role
    Adrian Pasdar Caleb Colton
    Jenny Wright Mae
    Lance Henriksen Jesse Hooker
    Bill Paxton Severen
    Jenette Goldstein Diamondback
    Joshua John Miller Homer

  • Near Dark pt2

    Near Dark pt2 (38:39)

    Caleb Colton is a young man in a small Oklahoma town who talks one night with Mae, an attractive young drifter. Shortly before sunrise, while kissing, she bites him on the neck, then runs off. Caleb discovers that the rising sun causes his flesh to burn. As he suffers in the sunlight, Mae and her 'family' of itinerant vampires pick up Caleb and sweep him away from his family's home. Severen and Diamondback are inclined to kill him then and there, but Mae, who has developed a romantic interest in Caleb, points out that she has 'turned him' — made him a vampire. Reluctantly, Jesse Hooker, the leader of the gang, declares that Caleb will remain with them for a week, to see if he can learn to hunt efficiently and be trusted as one of the group. Caleb quickly learns that the vampires are doubly bloodthirsty: not only do they feed on humans, but they hide the evidence of their nature by acts of wanton destruction, particularly arson, lest the mortal population seek them out and destroy them. In a famous setpiece of the film, Caleb accompanies the gang as they feed on several denizens of a roadhouse, kill most of the others, and burn the roadhouse to the ground.

    Caleb is of two minds about how to proceed. On one hand, he is infatuated with Mae, and relishes the idea of spending eternity with her, free of responsibilities other than simple survival. On the other hand, Caleb is appalled at the brutal reality of a vampire's existence: the constant need to kill innocent people for food, and the gang's evident lack of remorse for this state of affairs. He cannot bring himself to kill, even at the cost of his own survival, which alienates him from the gang of vampires. Unwilling to permit Caleb to be killed by her companions, Mae repeatedly kills for him, and allows him to drink from her wrist. Jesse and the gang are only temporarily mollified when Caleb puts himself at great risk to rescue them from a police raid during daylight hours.

    Meanwhile, Caleb's father, a veterinarian and apparently a widower, searches for his son, who appears in his eyes to have been kidnapped by a simple group of drifters. Caleb's father, who early in the film seems distant and dismissive of Caleb, reveals anguish at the disappearance of his son; with Caleb's little sister Sarah in tow, he canvasses the surrounding towns for news of his son while the police conduct their own investigation. When Sarah stumbles upon the gang at a roadside motel, a standoff develops: the adolescent vampire Homer wishes to transform the girl into a companion for himself, but Caleb demands that she be released. While the gang argues over what to do, Caleb's father arrives, demanding at gunpoint that Sarah be released. Jesse challenges him, and when Caleb's father fires the gun, Jesse responds by regurgitating the bullet and wrenching the gun from the doctor's hand. In the confusion of the moment, Sarah flees out the door, forcing the vampires to hide from the sunlight streaming into the motel room. Caleb chooses to return to his family, and jumps into his father's truck, his skin burning and smoking in the light, begging for help.

    At home, Caleb's father transfuses his blood into Caleb's veins, weeping in fear that his son is lost. The transfusion proves to undo the vampiric transformation, and the next day, Caleb is again human. His father resumes his customary gruff manner, although it is now tempered by evident relief at Caleb's return. That night, however, Mae and the rest of the vampires come looking for Caleb to kill him, since he might now identify the drifters and inform the human population of the threat the vampires represent. Additionally, Homer remains fixed on the idea of turning Sarah into his mate; while Mae distracts Caleb with conversation outside the house, the others slip inside and kidnap Sarah. When Mae ascertains that Caleb cannot be convinced to return to her, she runs away, leaving Caleb to discover the kidnapping.

    Knowing what it means that Sarah is gone, Caleb goes after her. The gang has taken the precaution of slashing the tires, so Caleb must ride one of the family's horses into town. On the town's main street, Caleb encounters Severen, who attacks him while decrying his lack of loyalty. When a tractor-trailer approaches, Caleb commandeers the truck to run down Severen. Severen, however, is only injured, not killed, and as he climbs up the cab toward the driver's seat, Caleb forces the truck to jackknife before jumping clear, killing Severen in the ensuing explosion. Jesse and Diamondback are now intent on torturing and killing Caleb; Homer remains less interested in Caleb than in Sarah. They begin to chase Caleb, but as dawn breaks, they turn the car around to flee toward the receding dark. Mae, however, is not only reluctant to see Caleb hurt, but concludes that she cannot permit Sarah to become another child-like monster; while the vampires drive away from Caleb in the first light of dawn, Mae escapes out the back of their station wagon, pulling Sarah out with her. Mae is badly burned by the sun as she runs with Sarah into Caleb's arms, and Caleb covers her smoldering body with his coat. Homer, desperate to keep Sarah for himself, leaps out of the car to follow her, and is destroyed in a fiery explosion as he runs after her. With no shelter from the sun nearby, and with the motive of revenge for Homer's death, Jesse and Diamondback turn the car around and attempt to kill Caleb, Sarah and Mae in a suicide attack, but the car runs off the road and explodes when the two vampires are completely engulfed in flames from the sun.

    In the final scene, Caleb wakes Mae in the Colton family's barn, where she lies hooked up to transfusion equipment as Caleb had been earlier and her burns are fully healed. As the doors open sunlight floods the barn and Mae's initial reaction is fear, but she herself is human again, and is therefore unharmed by the sunlight as Caleb comforts her with the knowledge that she no longer needs to be afraid of the sun.

    Production

    Kathryn Bigelow wanted to film a Western movie that departed from cinematic convention, which at the time was strongly identified with the films of John Wayne and John Ford. When she and co-writer Eric Red found financial backing for a Western difficult to obtain, it was suggested to them that they try mixing a Western with another, more popular genre. Her interest in revisionist interpretation of cinematic tradition led her and Red to the idea of combining two genres that they regarded as ripe for reinterpretation: the Western movie, and the vampire movie, whose conventions largely derived from Bela Lugosi's performance in Dracula. The film was scored by the German electronic music group Tangerine Dream, who also penned the soundtracks for Risky Business and Legend.

    Cast
    Actor Role
    Adrian Pasdar Caleb Colton
    Jenny Wright Mae
    Lance Henriksen Jesse Hooker
    Bill Paxton Severen
    Jenette Goldstein Diamondback
    Joshua John Miller Homer

  • Near Dark

    Near Dark (30:06)

    Caleb Colton is a young man in a small Oklahoma town who talks one night with Mae, an attractive young drifter. Shortly before sunrise, while kissing, she bites him on the neck, then runs off. Caleb discovers that the rising sun causes his flesh to burn. As he suffers in the sunlight, Mae and her 'family' of itinerant vampires pick up Caleb and sweep him away from his family's home. Severen and Diamondback are inclined to kill him then and there, but Mae, who has developed a romantic interest in Caleb, points out that she has 'turned him' — made him a vampire. Reluctantly, Jesse Hooker, the leader of the gang, declares that Caleb will remain with them for a week, to see if he can learn to hunt efficiently and be trusted as one of the group. Caleb quickly learns that the vampires are doubly bloodthirsty: not only do they feed on humans, but they hide the evidence of their nature by acts of wanton destruction, particularly arson, lest the mortal population seek them out and destroy them. In a famous setpiece of the film, Caleb accompanies the gang as they feed on several denizens of a roadhouse, kill most of the others, and burn the roadhouse to the ground.

    Caleb is of two minds about how to proceed. On one hand, he is infatuated with Mae, and relishes the idea of spending eternity with her, free of responsibilities other than simple survival. On the other hand, Caleb is appalled at the brutal reality of a vampire's existence: the constant need to kill innocent people for food, and the gang's evident lack of remorse for this state of affairs. He cannot bring himself to kill, even at the cost of his own survival, which alienates him from the gang of vampires. Unwilling to permit Caleb to be killed by her companions, Mae repeatedly kills for him, and allows him to drink from her wrist. Jesse and the gang are only temporarily mollified when Caleb puts himself at great risk to rescue them from a police raid during daylight hours.

    Meanwhile, Caleb's father, a veterinarian and apparently a widower, searches for his son, who appears in his eyes to have been kidnapped by a simple group of drifters. Caleb's father, who early in the film seems distant and dismissive of Caleb, reveals anguish at the disappearance of his son; with Caleb's little sister Sarah in tow, he canvasses the surrounding towns for news of his son while the police conduct their own investigation. When Sarah stumbles upon the gang at a roadside motel, a standoff develops: the adolescent vampire Homer wishes to transform the girl into a companion for himself, but Caleb demands that she be released. While the gang argues over what to do, Caleb's father arrives, demanding at gunpoint that Sarah be released. Jesse challenges him, and when Caleb's father fires the gun, Jesse responds by regurgitating the bullet and wrenching the gun from the doctor's hand. In the confusion of the moment, Sarah flees out the door, forcing the vampires to hide from the sunlight streaming into the motel room. Caleb chooses to return to his family, and jumps into his father's truck, his skin burning and smoking in the light, begging for help.

    At home, Caleb's father transfuses his blood into Caleb's veins, weeping in fear that his son is lost. The transfusion proves to undo the vampiric transformation, and the next day, Caleb is again human. His father resumes his customary gruff manner, although it is now tempered by evident relief at Caleb's return. That night, however, Mae and the rest of the vampires come looking for Caleb to kill him, since he might now identify the drifters and inform the human population of the threat the vampires represent. Additionally, Homer remains fixed on the idea of turning Sarah into his mate; while Mae distracts Caleb with conversation outside the house, the others slip inside and kidnap Sarah. When Mae ascertains that Caleb cannot be convinced to return to her, she runs away, leaving Caleb to discover the kidnapping.

    Knowing what it means that Sarah is gone, Caleb goes after her. The gang has taken the precaution of slashing the tires, so Caleb must ride one of the family's horses into town. On the town's main street, Caleb encounters Severen, who attacks him while decrying his lack of loyalty. When a tractor-trailer approaches, Caleb commandeers the truck to run down Severen. Severen, however, is only injured, not killed, and as he climbs up the cab toward the driver's seat, Caleb forces the truck to jackknife before jumping clear, killing Severen in the ensuing explosion. Jesse and Diamondback are now intent on torturing and killing Caleb; Homer remains less interested in Caleb than in Sarah. They begin to chase Caleb, but as dawn breaks, they turn the car around to flee toward the receding dark. Mae, however, is not only reluctant to see Caleb hurt, but concludes that she cannot permit Sarah to become another child-like monster; while the vampires drive away from Caleb in the first light of dawn, Mae escapes out the back of their station wagon, pulling Sarah out with her. Mae is badly burned by the sun as she runs with Sarah into Caleb's arms, and Caleb covers her smoldering body with his coat. Homer, desperate to keep Sarah for himself, leaps out of the car to follow her, and is destroyed in a fiery explosion as he runs after her. With no shelter from the sun nearby, and with the motive of revenge for Homer's death, Jesse and Diamondback turn the car around and attempt to kill Caleb, Sarah and Mae in a suicide attack, but the car runs off the road and explodes when the two vampires are completely engulfed in flames from the sun.

    In the final scene, Caleb wakes Mae in the Colton family's barn, where she lies hooked up to transfusion equipment as Caleb had been earlier and her burns are fully healed. As the doors open sunlight floods the barn and Mae's initial reaction is fear, but she herself is human again, and is therefore unharmed by the sunlight as Caleb comforts her with the knowledge that she no longer needs to be afraid of the sun.

    Production

    Kathryn Bigelow wanted to film a Western movie that departed from cinematic convention, which at the time was strongly identified with the films of John Wayne and John Ford. When she and co-writer Eric Red found financial backing for a Western difficult to obtain, it was suggested to them that they try mixing a Western with another, more popular genre. Her interest in revisionist interpretation of cinematic tradition led her and Red to the idea of combining two genres that they regarded as ripe for reinterpretation: the Western movie, and the vampire movie, whose conventions largely derived from Bela Lugosi's performance in Dracula. The film was scored by the German electronic music group Tangerine Dream, who also penned the soundtracks for Risky Business and Legend.

    Cast
    Actor Role
    Adrian Pasdar Caleb Colton
    Jenny Wright Mae
    Lance Henriksen Jesse Hooker
    Bill Paxton Severen
    Jenette Goldstein Diamondback
    Joshua John Miller Homer

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    Hopscotch for Dummies (40:51)

    If a vegetarian eats sushi & caviar, then what ?

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